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Zuzana Piussi ( * 21 October 1971, Bratislava) is a Slovak director and documentary filmmaker, as well as an actress.〔Zuzana Uličianska, “Od Piussi do Piussi - slabý hlas, ktorý výrazne počuť (From Piussi to Piussi - faint voice that is plainly heard),” interview with Susan Piussi, in: SME, Dec. 21, 2012〕 She graduated from the Department of Directing at the Film and Television Faculty of the Academy of Performing Arts in Bratislava.〔Matej Adamov, “Režisérka Zuzana Piussi (The Film Director Susan Piussi)”, in:TNU trendy, Časopis o živote študentov a učitel'ov Trenčianskej Univerzity Alexandra Dubčeka, ročnik 2/ čislo 2, 2013, p.23. – Also online: http://www.tnuni.sk/fileadmin/dokumenty/univerzita/casopisy/tnu_trendy/tnu_trendy_201302.pdf.〕 From 1992 to 2000, she worked with the theater ''Stoka''. Subsequently, she was involved in the theater project SkRAT.〔Zuzana Uličianska, “Od Piussi do Piussi - slabý hlas, ktorý výrazne počuť (From Piussi to Piussi - faint voice that is plainly heard),” interview with Susan Piussi, in: SME, Dec. 21, 2012〕 ==Piussi's start as a documentary filmmaker== Piussi's first documentary, ''Výmet'' (Wipe out) (2003) received a major trophy at the IFF in Beirut, Lebanon's oldest and best-known film festival and one of the important Arab film festivals.〔kul (i.e., culture page editor), “Cena pre Zuzanu Piussi. Slovenská dokumentaristka získala Cenu Andreja Stankoviča (Prize for Susan Piussi. Slovak documentarist was awarded the Andrej Stankovič prize)” in: SME, June 27, 2013.〕 Two years later, her documentary feature “Anjeli plačú'' (Angels Cry) (2005) was the favorite of cineasts at the International Documentary Film Festival in Jihlava (Czech Republic) and earned her the “Audience Award.”〔kul (i.e., culture page editor), “Cena pre Zuzanu Piussi. Slovenská dokumentaristka získala Cenu Andreja Stankoviča (Prize for Susan Piussi. Slovak documentarist was awarded the Andrej Stankovič prize)” in: SME, June 27, 2013.〕 In 2008, Piussi's semi-documentary ''Babička'' (Grandmother) received media attention because it told the story “of an aging woman” who does not “want to give up love life.”〔kk, “Zuzana Piussi predstaví voyerský dokument o zrelej žene a mladíkoch (Susan Piussi presents a voyeuristic documentary about a mature woman and young men),” in: SME, March 8, 2010.〕 Her ad lets her meet young men.〔Iris Kopcsayová, “Mierne zvrhlá babička. V Prahe mal premiéru film Babička. Nie je to čistý dokument, ale nie je to ani fikcia (Slightly kinky granny: In Prague, the film “Grandmother” premiered. It is not a pure documentary, but it's neither a fiction.),” in: SME, March 2, 2009, culture page.〕 A year later, the filmmaker tackled a traumatic topic with her documentary Koliba (2009). The film focuses on the scandalous way Koliba, the Slovak national film studios, were privatized and stolen away.〔Miloš Krekovič commented, “It was our national treasure, say those who weep for it. (...) During 53 years, 331 feature films were made here. Today the site is home of a private television company and films made in Slovakia are sent abroad for processing. How could this happen? The filmmakers bear part of the guilt, too, for failing to prevent the privatization with a disastrous ending, we learn in this documentary.” Miloš Krekovič, “Kto rozkradol Kolibu? (Who did steal Koliba away?),” in: Sme, March 25, 2009, culture page.〕 In that same year, Susan Piussi also created a portrait of Pavel Branko entitled ''Hrdina našich čias'' (A Hero of Our Time). The title refers to Lermontov’s novel and Branko's view of himself as “a superfluous man.”〔Andreas Weiland, “Svet plný krásy – a nad priepasťou (A world of beauty – and at the edge of the abyss),” in: Kino-Ikon, A Journal for the Sciences of the Moving Image and Cinema, Vol. 16, No.1, 2012, pp.212-218.〕 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Zuzana Piussi」の詳細全文を読む スポンサード リンク
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